Photo Recap: Twin Peaks, NE-HI, & Hoops @ Joyful Noise Recordings

On the night of Monday, June 6th, 2016 Joyful Noise Recordings hosted a show featuring Hoops, NE-HI, and, the evening’s headliners: Twin Peaks. Set after set was a mix of fast guitars and ripped canvas sneakers that eventually boiled over into Twin Peaks’ members yelping and snarling the crowd into a frenzy. “We’ve been playing a lot of stadium shows lately,” bassist Jack Dolan said to the sold out crowd packed into the room, “so it feels good to be here.”


Chicago’s NE-HI spent their cinnamon whiskey-fueled set ripping through song after song. Hoops, the bill’s local support, started the evening off with a stacked set that immediately sent the crowd to the merch table upon its close. Many audience members were left disappointed, though, once they learned the band had quickly sold out of their vinyl stock.


Twin Peaks






Photos and Words by Doug Fellegy (via Flickr)

Photo Recap: Damien Jurado & The Heavy Light @ The Hi-Fi

Visions of Us on the Land, the latest release from Damien Jurado, provides those familiar with the long running catalog of the singer-songwriter plenty to sink into. Jurado’s soulful, plaintive vocals nestle in wonderfully with the album’s instrumental arrangements, alternating between reserved hush and a layered, expansive wildness.

The crowd at The Hi-Fi packed in to the venue to see Jurado & The Heavy Light fill the space with walls of sound, each one culminating in rapturous applause. Labelmate Ben Abraham opened the evening with an intimate set, performing songs off of his debut record Sirens.


Damien Jurado & The Heavy Light


Ben Abraham


Photos and words by Doug Fellegy (via Flickr)

Photo Recap: Marlon Williams at The Bishop

The new self-titled record of New Zealand’s Marlon Williams was released on Indiana’s own Dead Oceans last week. The week before, though, he and his band rolled through Bloomington to play a lively, packed show at The Bishop. Peter Oren opened the show with his charming and warm baritone making the bar seem more intimate, like the living room stage at a house show. Here’s to hoping they both come through on tour again soon.


Marlon Williams


Peter Oren


Photos by Doug Fellegy (via Flickr)

Fun Fun Fun Fest Announce Their 10th Anniversary Lineup

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One of the best music festivals in the land, Fun Fun Fun Fest, have announced the lineup for what will be the 10th anniversary of the event. Being held at Auditorium Shores in Austin, TX from November 6 through the 8th, artists at this years lineup will include Grimes, Wu-Tang Clan, D’Angelo, CHVRCHES, Toro Y Moi, Neon Indian, and so many more that we could single out. It could arguably be their best lineup yet. Tickets will be available today starting at 11am EST here. Watch Bill Nye the Science Guy give you all of the details below.


Jane’s Addiction (performing Ritual de lo habitual), D’Angelo and The Vanguard, CHVRCHES, Future Islands, RIDE, Cheap Trick, ANTEMASQUE, Toro y Moi, American Football, The Growlers, Fuzz, Mikal Cronin, The Charlatans UK, Viet Cong, Alvvays, Speedy Ortiz, Murder By Death, Cass McCombs, Steve Gunn, BRONCHO, Grifters, Creepoid, East Cameron Folkcore, A Giant Dog, Think No Think, Ringo Deathstarr

Wu-Tang Clan, Chromeo, Schoolboy Q, Grimes, ODESZA, Neon Indian, Rae Sremmurd, MSTRKRFT, Hudson Mohawke, Gesaffelstein (DJ set), Peaches, Joey Bada$$, Big Freedia, Afrika Bambaataa, Slow Magic, Lido, Doomtree, BADBADNOTGOOD, Anamanaguchi, Shamir, Bomba Estereo, Snakehips, TOPS, Haelos, Two-Nine, Roger Sellers, The Outfit, TX, SURVIVE

Venom, NOFX, Gogol Bordello, Coheed and Cambria, Drive Like Jehu, L7, Dag Nasty, Desaparecidos, American Nightmare, Converge, Chain of Strength, Skinny Puppy, Babes in Toyland, Parquet Courts, OFF!, La Dispute, Title Fight, Fucked Up, Head Wound City, Dwarves (performing Blood, Guts & Pussy), King Khan and BBQ Show, Benjamin Booker, Andrew Jackson Jihad, Nothing, together PANGEA, Power Trip, Joanna Gruesome, American Sharks, Future Death

Photo Recap: Pit Stop Music Festival

Festival season is upon us. People will inevitably trek across the country to see the largest and most well-known festivals like Coachella, Lollapalooza, and Bonnaroo in order to have the typical festival experience: seeing most of the bands you want to see from a few hundred yards away, overpaying for beer, and getting a painful tank burn before falling back into your friend’s car for the seven hour drive back home. It’s a long, messy, unpredictable but memorable weekend that’s become quintessential to what summer is all about.

The Pit Stop Festival in Bloomington back in March, however, brought a little intimacy back to that festival feeling. Held over three nights at a handful of local venues, Pit Stop’s goal was simple: “Bloomington isn’t flyover country; it’s where great independent music puts wheels on the ground. Pit Stop is a three-night sprint of live music featuring national, regional & local acts. Like SXSW for the Upland South, catch the best of indie rock, Americana, hip-hop and more as they roll through our town.” It brought a few of the same pitfalls as its larger festival brethren (due to show times I couldn’t see everyone I wanted to see), but it also found a few of the same unmissable draws in its list of headliners and local talent. Even though I was left with the same sense of exhaustion and slight dehydration at the end of Pit Stop that I’ve found myself in at previous festivals, I still had the same thought as I packed up my camera a remembered where I parked: I can’t wait to do this again next year.

Hiss Golden Messenger

William Tyler

Mike Adams At His Honest Weight




Strong Roots

DJ Spikes

Maps & Atlases

The Alamo Freeze

Words and Photos by Doug Fellegy (via Flickr)

Photo Recap: Stars and Hey Rosetta! at The Vic

Back in November MOKB photog Doug Fellegy was able to catch Stars and Hey Rosetta! at the Vic in Chicago. Touring their newest album, No One Is Lost, Stars performed a new batch of their electronic-tinged songs to a feverish crowd. The show featured the band’s signature careening call-and-response vocals and danceable rhythms and ended with a sincere Torquil Campbell thanking the crowd for their years of support. Be sure to catch them out on tour throughout 2015.


Hey Rosetta!

(photos via flickr)

Day 3 Recap : Lollapalooza 2014 : Grant Park, Chicago, IL

Written by Ryan Hickey

Our third and final day of Lollapalooza started with somewhat of a surprise. Well, two surprises. First, we were greeted by rain at the start of the festival, which was not originally predicted. Second, while taking an alternate route to the Bud Light stage, we stopped by the Toyota Soundwave tent and caught a few minutes of Wrestlers, a Houston-based live electronic group. Turns out they are a Red Bull Sound Select artist, and I won’t be surprised if you start to hear more about them soon.

We reached our original destination, the Bud Light stage, for Trombone Shorty, the passionate multi-instrument and voice talent from New Orleans. Trombone Shorty, along with the members of his band, Orleans Avenue, oozes talent and Big Easy funk influence. However, Shorty has clearly evolved from his New Orleans roots, often performing songs that feature aggressive guitar riffs and other hard rock traits. Their entire set absolutely ripped, with Shorty leading the way in a highly energized performance that combines big band organization, NOLA energy, and rock n’ roll edge. Further, it was refreshing to finally be around a crowd that just enjoyed the show and danced.

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Our next venture took us to The Grove stage for RAC. Now, as a DJ I have been familiar with and quite fond of RAC’s remixes of popular and indie songs alike. Like any great remix artist, they tend to completely recreate songs, often times leaving people asking themselves what they like better, the original or the remix. The live show, in which the group performs these remixes live, only increased my appreciation for them. From what I can tell, they use hardware for preprogrammed beats in lieu of a drummer, but the guitars and keys are performed live. In addition to performing some of their original work like “Tear You Down,” they delighted the crowd to some of their more popular remixes, including “Something Good Can Work” (Two Door Cinema Club) and “Blue Jeans” (Lana Del Rey).

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Day Three seemed to find us exclusively at the north end of Grant Park, and the theme continued back at the Palladia stage for Run the Jewels. This rap power duo, which officially formed in early 2013, is one of the best ongoing collaborations to emerge from the hip hop world. El-P and Killer Mike, both established as solo artists, teamed up officially after prior collaborations together. While too many Lolla attendees missed this great set, the MCs performed their namesake track, as well as “36 in. Chain”and “Sea Legs.” The latter part of their set featured an appearance by fellow Lolla performer DJ Z-Trip.

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While the festival would continue for a few more hours, our final stop was back at the Bud Light stage for the electro-funk-pop act Chromeo. Confession: I’ve been a big fan of their music and have included it in my DJ sets for a while now, so I was looking forward to seeing the live version. Not only did the Canadian duo deliver an electrified set, the crowd returned the favor with an all-out dance party. Aside from OutKast, this seemed to be about as much fun as we witnessed among the crowd throughout the weekend, at least for the over 21 contingent. Longtime fans were treated to a ‘greatest hits’ type set, with everything from “Night By Night,” “Hot Mess” and “Tenderoni,” as well as current single “Jealous” from their new album (White Women). I think the only thing that could have possibly made this show better is if it had been after dark. I suppose we’ll just have to go see them again sometime.

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Lollapalooza was a great experience once again. My only hope is that the younger generation will take the following advice to heart: let the denim diapers go out of style, put down the flavored blunt wraps and stop pushing people to get where you’re going at festivals.

Day 2 Recap : Lollapalooza 2014 : Grant Park, Chicago, IL

Written by Ryan Hickey

While the prediction of low 70s weather turned out to be a little off, the warmth was not to be hated by this blogger. Day two brought beautiful sunshine and a highly anticipated lineup, both of which we took head on.

Our first stop was at the Samsung Galaxy stage for Jungle, a relatively new modern soul group from London. Jungle has been around since early 2013, and gave the day two early bird crowd a smooth start to the day with their blend of old school funk and sample-laced trip hop beats.

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After Jungle’s set, we made the park-wide trek over to the Palladia stage to see Parquet Courts. They took the stage and introduced themselves with a brief “We’re Parquet Courts from Brooklyn, New York” and jumped right into their set. This band is also relatively new to the scene, forming in 2010. Interestingly enough, their sound reflects a heavy influence of 80’s punk, and I would be surprised if they did not absorb some inspiration from the likes of Sonic Youth in their formative years.

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We took the next of many trips back across Grant Park to catch the grimey, southern rock sounds of Phosphorescent. Led by singer-songwriter Matthew Houck, whose voice has Springsteen-like qualities, Phosphorescent’s musical topics are often similar to other southern/country songs, covering addiction, heartbreak and other facts of life.

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Following the first mini marathon of shows, we nestled into the press area to recharge and prepare for an excellent second phase of day two. Fitz and the Tantrums started this next round. The enthusiastic neo-soul act runs their shows with lead singer Michael Fitzpatrick in perpetual motion. Their message is all positive and the band leads by example when it comes to making music fun. In addition to a plethora of originals, the band also covered the Eurythmics classic “Sweet Dreams” and during another jam, saxophonist James King played the chorus lick from Jason Derulo’s current club hit, “Talk Dirty.” If you enjoy dancing and having a good time at a show, do yourself a favor and see them when you can.

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Back across the park we walked again to the Palladia stage for the highly anticipated performance from legendary New York rapper Nas. Considered by many fans and critics to be one of the most gifted MCs to ever put out a record, Nas came out (on time) and jumped right into his first song without any gimmicks or delays, incredibly refreshing for a rap performance. A huge crowd had gathered and old school heads joined in yelling lyrics to the opening “New York State of Mind.” Nas celebrated the 20th anniversary of his smash record Illmatic and delighted the crowd by playing nearly every song from the record. Before going into “It Ain’t Hard to Tell,” Nas acknowledged Michael Jackson as his musical inspiration (the song samples MJ’s “Human Nature”). Nas absolutely ripped it and it was great to see.

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We made a quick stop to see a few songs from Spoon, the 20+ year-career band from Austin. Their straightforward approach to rock has been churning out albums since the early 90s, including their newest release, They Want My Soul (August 5th, 2014). While the crowd seemed to be showing signs of fatigue from the long day, Spoon rocked and rolled the crowd back into action.’

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Finally, we reached the Samsung Galaxy stage for our Lolla 2014 ‘manifest destiny: OutKast. It seemed as if the entire city of Chicago showed up with a plus one for this show, and rightfully so. The Atlanta rap duo’s return to the stage this summer after a long hiatus has been the talk of the town along with the headliner at many major festivals. Unlike many of their rap brethren, though, OutKast does not mail it in when it comes to performing. Their show comes complete with live band (including the same horn players who have recorded on their studio albums), DJ and backup singers and is absolutely electric. Not only carrying the torch with hip hop tradition, their live band is able to layer elements of Motown, rock and funk into their sets, almost completely separating them from their competition (which they alluded to in “Rosa Parks” by telling their fellow rappers to “move to the back of the bus”).

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OutKast began their set with an energetic “B.O.B. (Bombs Over Baghdad)” and proceeded to play every hit song they ever created, in which there are many. The crowd sang along to classic jams from all of their records, as well as solo work from Andre 3000 and Big Boi. Both rappers wore interesting attire, with Big Boi in a unique ‘short suit’ and Andre donning a blonde wig and a jump suit that read “Across cultures, darker people suffer most. Why?” on the chest. Andre’s suit also sported a “SOLD” tag dangling from the waist, presumably referring to slave trade, but perhaps also a knock on the music industry. While OutKast has never been afraid to address such controversial topics, they also know how to keep their shows ‘for the people’ and are the consummate crowd-pleasers. It felt great knowing this may be the one and only time I get to see these rap legends, and that they could not have been more impressive on stage.

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